Cover Fight 1.0 : Fallon V.S. Kimmel

Cover Fight time!
Ok so I've been meaning to post this since the Jimmy Fallon Vanity Fair cover came out but work has been crazy and I haven't had time to. SO, I'm posting it now because I believe this is still relevant and well, I love that Jimmy Kimmel cover and never had a chance to post about it so here we go:

A few months ago Esquire and Vanity both put on their covers two late night stars, on the one hand we have Jimmy Fallon for Vanity Fair and on the other Jimmy Kimmel for Esquire. We have two very different styles. Esquire mixed polished with artistic and oh my god how well does that work?! This cover made me smile, made me want to buy the issue, made me happy I went to the newsstand. The photo is great, it's by Jeff Minton. It captures the essence of Kimmel really well, the whole concept is just perfect for him. I love the hand drawn look of the type and the smudges around the logo. There isn't much to say here other than, they totally nailed it… So we have 1 point for concept, 1 point for typography and one point for photography!

On the other hand we have Jimmy Fallon for Vanity Fair. Different magazine, radically different style. The cover was shot by Annie Leiboviz. I am divided on this one. The more I look at it, the more I like it, I guess. But if I were to glance at it quickly at a newsstand I don't think I would look twice. It doesn't pop out enough for me. I wish Jimmy had been the only one on the cover, the models add a certain touch to this that I don't like. I get the concept, I get why it might have seen like a great idea to shoot two stories in the same picture on the cover, but I don't think it came out as great as it could have been. They didn't play the comedy side enough. The type is ALL over and it's getting very cramped which might be what is bugging me. I don't care too much for the blue sticker bubbles on top on the red banner on the bottom right. The logo is getting completely eaten away and I don't know where to look anymore. The hierarchy is off and it's a cover that ends up being rough to navigate through. (On a side note, Fallon's face looks kind of weird…) If we count it up we have 1 point for concept, -1 point for typography, 1/2 point for photography.

Which gives us 3 for Kimmel and 0.5 for Fallon.

So for this "fight", Kimmel and Esquire get the win…because you know, I smile everytime I look at this cover and that is a really good feeling.

Lazy July cover fail

 Not too long ago I picked up my issue of Vanity Fair U.S. At first I thought "well that can't be right...I feel like I've bought this issue already." That's when I realized they completely "recycled", if I may say, their January cover.

 

Where should I even begin? It's the same damn cover, (minus the christmas ornament and snowflakes but oh dear were those a bad idea...). The shiny red dress? The white background? the red lipstick? WHY? why are they doing this to a july issue? I understand, it's summer, people are out of town or getting lazy but there is no excuse for this cover. The january one was bad enough they really didn't have to make a double. 

To quote the devil wears Prada: "That'll be all...."

What’s This Font 1.3 – Vanity Fair France

 Greetings typelings, It's this special time again, what's this font is back! For this 4th and latest edition we will be taking a look at Vanity Fair France. Lots of really cool and recent new fonts here that I'm sure you guys will love. We've got a mix between Vanité, VF Didot and Futura.

The first typeface we will be looking at today is VF Didot. Of course such a beautiful font could only come from one place: Commercial Type. Both the U.S and french version of Vanity Fair are currently using it, though the U.S is also using the stencil and the thicker weights unlike VF France.  The font is used throughout the whole magazine, Front of book, back of book and of course features. It has got the most amazing lowercase italics and they come in a bunch of different weights. They give just enough of a soft feel so that it doesn't look girly rather just elegant. The original Didot is a timeless gorgeous typeface and VF Didot is just as beautiful. It's not available for purchase yet as it was designed very recently. You can keep an eye out just in case but it seems Vanity Fair will have the exclusive use for quite a while. For more info check out Commercial Type. 

 

(Side note: The uppercase italic are are not working quite as well as you would want them to, they are too italic unfortunately...VF France hasn't been going in that direction too much though unlike VF U.S)

Now for my personal favorite, Vanité! Vanité is the font VF France is using instead of Solano Gothic (What VF U.S is using). This font was the result of a design collaboration between the art department at Vanity Fair France and Jean-baptiste levee. This typeface is perfect for the french edition, it's art deco and modern at the same time. This is what's replaced VF Sans and it's doing a great job. It has a lot of wonderful glyphs. Unfortunately, there again, it's not available for purchase but we're keeping our fingers crossed right? You can find more information on Vanite here.

The third one is a classic, Futura. Ah future, I have come to appreciate that typeface a lot in the last few years. It's just so easy to use and in this case it blends so well with the whole design of the magazine. VF U.S and France use the same version of it, Futura (T1). This typeface however has so many different variations that it's really hard to know which is which! I was never able to find where to get Futura (T1) but here is a link to the regular version on MyFonts. It goes for $356 and has 18 different weights. I'd say it's definitely a good one to have in your pocket.

For the last one I'm afraid we're just going classic with the VF times which is used for all the main text throughout the mag. Nothing fancy here, just a sweeter version of Times making an easy read. All and all, good typefaces in the mix! You can check out the fonts Vanity Fair U.S uses here.

 

From Vogue to Vague

So I finally have a bit of time for myself and decided to take a little trip to the south of France for three days. But, of course, my obsession for the editorial world is not at rest and I had a few hours at the airport to catch up on what I’ve missed commenting on these past few months. Let’s start with a recent cover, I’m looking at you Vogue U.S, I’m pretty sure you don’t want me to be looking at you right now…. For their July cover they have singer Katy Perry. But wait…this looks familiar…

Yes they did. This cover looks an awful lot like their December 2012 issue with Anne Hathaway. Come on, I know it's summer and that this is a small issue but I'm surprised nobody noticed this. The color scheme is the same, green, pretty red flowers, that weird sad empty gaze is still here and honestly it wasn't a winning cover in December and it's not one now. However, this cover is the least of Vogue's problem right now.

 

I'm not even going to mention the layout and graphic design from the spreads inside the issue…Ok well that's a total lie… I have to mention that. When I flipped through the magazine and saw…whatever it was that I saw I'm still not sure, I had to look at the cover twice to check I was indeed looking at Vogue U.S, that's not a good thing...

I do not understand how the whole artistic direction of this publication can be so wrong. If you swapped the current cover with the ELLE logo no one would notice the difference…(that is an insult to ELLE actually, their layouts are divine compared to this) I’m not talking about the pictures as there are some good series in there but Oh My God the typography?? It looks like a failed merger between 4 or 5 different magazines! (no Vogue…that’s not a good thing when you look like you’re stealing layouts and fonts from everyone else…). Maybe the art director is on vacation who knows, it doesn’t make that much of a difference. I have, many times, lashed out at Vogue U.S because this publication which is supposed to be so elegant, fashion oriented and forward is simply a mess. They don’t even have a signature typeface (or one particular typeface that stands out more than the other for that matter, it looks like they are just using whatever they are in the mood for when they make a layout..). I isolated a few spreads to compare and contrast them with layouts from other publications like Vanity Fair and ELLE in case my point isn’t already made, check them out below:

All I can add to conclude this post is this: What it particularly sad is that Vogue U.S is not the magazine is used to be anymore. I find the whole publication to be a bit all over the place way too often (design wise, the photoshoots are still good). I'm liking the foreign Vogues a lot better these days.

It's all about Vanity Fair France

I've been off the grid for a while and missed commenting on a lot of covers in the past months. BUT, I do have a good reason! Since october 2012 I have officially been working as part of the Art department team at Vanity Fair France with Yorgo Tloupas (Art Director) and Genève Doherty (Associate Art Director) on the design of Condé Nast's newest baby. After months of hard work, late nights, junk food and team work, the first ever issue of Vanity Fair France is finally available and we are all so excited!

Who else could have been worthier of our first cover other than Scarlett Johansson? A gorgeous woman with amazing talent. She opened the doors of her parisian life to our team.

This first issue is very dense and has a lot of fascinating articles and great photography. We were able to get talented illustrators (one of my favorite parts), as well as great photographers and writers. So for everyone out there who is not able to go grab their first issue, here is an exclusive sneak peek at what you are missing out on, time to go grab yours! (also available on iPad of course with lots of extra images, animations and interactive delights).

 

What's This Font 1.1 - Vanity Fair

Hey guys and welcome back for this special second edition of What's This Font! This month on the menu is one of my favorite magazines, Conde Nast's Vanity Fair. They have (for the most part) great typefaces that create an overall beautiful design throughout the issues and this post will let you know what they are and where you can find them.

The first one we'll start with is Didot. It is for all intents and purposes Vanity Fair's signature font and is used almost exclusively on the cover and most of the pages of the magazine. It's one of those fonts that you may find more common than you should. It's an elegant and at the same time modern typeface. You can find it on typography.com here for $300 for 42 typefaces. When used correctly this font has a great impact and is of course absolutely beautiful.

Font number two on our list today is VF Sans. It has five weights, two widths, and was created for Vanity Fair by David Harris (design director) and Greg Mastrianni (art director) and designed, drawn and produced by James Montalbano of Terminal Design. This typeface can be found abundantly throughout the magazine, mostly in the artciles and captions, giving it a modern edge.

Finally the third font and also the most recent design addition to the magazine is Solano designed by Mark van Bronkhorst between 2007 and 2009. This typeface is a perfect new addition to Vanity Fair's design library. It is used mostly with a wide tracking and in a smaller point size which does not tone down its importance. You can purchase Solano on myfonts.com, the price is reasonable per font, the whole family in itself though is quite expensive but definitely a good buy.
More info to come soon!